Human Resource Essay Example | Topics and Well Written Essays - 3000 words

Human Resource - Essay Example To attract top performance, design the aspects to include where to place the ad of the fallen job vacancy with appetizing job descriptions, design methodologies of referrals, with the help of IT department design an appealing career web page portal and make time line when to give the candidates calls. Schedule and organize interviews to evaluate competency, skills and creating opportunity. In creating effective referrals programmes as the HR manager should use both employee referrals programs and internship models as the recruitment process is an all year event. This will create unlimited referral program in which the employees will assist continually in identifying of the best strong candidates for the job for future and current opportunities. No maximum cap should be placed for referrals submission and to create an effective program, tagging of a referral should be done and in-case hired an incentive fees (LuisR.Gà ³mez-Mejà ­a, 2012). This is an essential component of strategy in the hotel organization in that it helps the management to evaluate if the set out performance meets the business objectives. Performance managements links the behaviour of each individual employee to that of the hotel and with definition of expectation from each of the employees. This will help the hotels to determine the expectations met and those are not meet and take necessary actions which includes training, incentives or even disciplining of individual employees. To achieve this strategic goal a measurements are applied to the hotel goals and the feedback is timely communicated to the employees in the respective departments and the line managers advised to take appropriate actions. The strategic administrative purpose of the system helps the hotel to make use of the information generated on daily basis to aid in decision making in salary, benefits, hiring and in training programs recognition. This mode of management helps in retaining the best

Bull Riding injury Risks

Bull Riding injury Risks Toughest Sport on Dirt Bull riding is an extreme sport with serious life threatening risks but have little restriction in the safety equipment that is needed to protect these athletes. Hockey, football, and even baseball all have been mandated to wear safety helmet to protect them from injury. For newer extreme sports, like snowboarding and skateboarding, the use of a helmet is rarely debated anymore. Every time out of the chute, bull riders face danger as real as the horns, hoofs and hard heads of bulls that can weigh a ton or more.(usatoday) Professional bull riders should meet the same safety gear requirements as any other contact sport. Trying to hold on to the rope and not be tossed like a rag doll on a back of a bull for eight seconds is more dangerous than playing hockey or football, in which these sports require helmets. When it comes to helmets, this little piece of foam and plastic can save a bull riders life. Just training for this sport can be disastrous The nature of this sport is brutal and is not biased. Any rider can be hurt. Although helmets are fairly new and maybe uncomfortable head and spinal injuries can be prevented with their use. No athlete in any sport can stand repeated concussions. In bull riding there are three major times when head injuries can occur. A bull rider can be jerked tossed forward and slam his head on a bulls horns. If the rider reaches eight second dismounting can be hazardous. They could get their hand tied up in the rope that is around the bull and be stomped while trying to get the rider loose. A rider can be violently thrown in the air and dropped to the hard dirt. It is unpredictable how their head is going to land and absorb the shock of the impact.   It is common sense that we use our brain for thinking and day to day body functions, without it we would just be in a vegetative state Since we do all our thinking with our brains and our brains are housed in our heads, we should do everything we can to protect this valuable asset. Wearing a helmet should become mandatory soon. It only makes sense to protect something as delicate and vulnerable as ones head. Rodeo, a sport in which the cowboy hat is as much an icon as a bucking bronco, has been reluctant to require its riders to wear helmets.(Brown) Lee Akin experienced the consequences fist hand of not wearing a helmet. When a bull weighing nearly a ton stepped on Lee Akins head one year ago at an Alabama rodeo, doctors didnt think the four-time PBR finalist would live. (Godfrey)  Another professional bull rider, Jerome Davis, met his fate in the fall of 1997. He crashed into the bull. Davis was jerked back and hit his head against the animal. He  was knocked unconscious and fell to the ground head first. The impact caused a  fracture/dislocation of the seventh vertebrae at the base of his neck. The sixth vertebrae  exploded and shattered. He was paralyzed from the neck down.( Hollen) When it comes to injuries A study of nearly 2,000 professional rodeo events between 1981 and 2005 found that half  of all injuries occurred during bull riding. Knee and shoulder injuries are most common,  according to Downey, but most alarming are the head injuries. Concussions account for  nearly 9 percent of all bull riding injuries, he notes.( Rueters) Bull riders cannot miss an event even if their injuries are minor but need time to heal. When a bull rider gets injured and cannot compete, he falls down in his rankings, risking his title and income. So knowing that, they continue to compete with concussions and other broken or dislocated body parts. As for the cowboys who do wear a helmet longevity seems to be a common theme ( Geupel) We know the cowboy hat holds great traditions of bull riders. No doubt this symbol is very meaningful to all those who live this life. Before the event ride, after the ride and at all other times, is when the cowboy hat can be worn. Lets not lose our heads and start our children on the right foot with using a helmet from day one.

Reconciling Religious and Scientific Perspectives of Creation Essay

Reconciling Religious and Scientific Perspectives of Creation â€Å"In the beginning was the big bang,†[i] writes John Polkinghorne, a physicist turned theologian. As the reader follows through the remainder of his cosmic creation story, the reader is intrigued at how mystical and religious the story sounds. â€Å"The space boiled, in the rapid expansion of the inflation era, blowing the universe apart with incredible rapidity in the much less than 10-30 seconds that it lasted. . . . The world suddenly became transparent and a universal sea of radiation was left to continue cooling on its own . . .†[ii] Then, the story unfolds to tell of the creation of hydrogen and helium and the creation of stars. The death of stars follow, which in turn gives rise to conditions that are favorable for the formation of life.[iii] Though seemingly mystical, the story of the cosmic creation is also the epitome of logic. As we rewind the story of creation, we see a definite causal link between one event and another. Why do we have life? Because we have carbon. Why do we have carbon? Because of the chemical reaction in stars. Why do we have the chemical reactions in stars? Because . . . and this chain will continue, explaining one phenomenon as an effect of another. The story is in fact the triumph of human reason. However, if we rewind the story long enough, we find ourselves reaching a dead end – â€Å"In the beginning was the big bang.† A beginning is where there is no before. However, how can something be when there is no prior? The question of the origin is further complicated when we see how finely tuned the universe is. For the emergence of life, the universe had to have initial conditions at the point of origin ... ... with a whole number amount of spin (as opposed to half a spin). [xxxviii] Ferris, Coming of Age in the Milky Way, pp. 354-353. [xxxix] Polkinghorne, The Faith of a Physicist, p. 75. [xl] Ferris, Coming of Age in the Milky Way, p. 351. [xli] Ferris, The Whole Shebang, p. 224. [xlii] Greene, pp. 357-358. [xliii] Ibid., p. 358. Brian Greene then says that Brandenberger and Vafa verified this phenomenon through detailed calculations. [xliv] Ibid. [xlv] Ibid., p. 362. The Nugget that gave rise to our universe is one of the many nuggets that were formed in prehistory of our universe. This theory is still a speculation and is not widely accepted like the string theory. Therefore, the theory about the cosmic prehistory should be taken as a possible solution and not as the definite answer. [xlvi] Found in Davies, p. 148. [xlvii] Davies, p. 232.

Annotations Heart of Darkness

Passage 1 â€Å"I left in a French steamer: The French Steam Ship and she called in every blamed port they have out there, for, as far as I could see, the sole purpose of landing soldiers and custom-house officers. I watched the coast. Watching a coast as it slips by the ship is like thinking about an enigma. Analogy comparing the coast slipping by the ship to a mystery. There it is before you — smiling, frowning, inviting, grand, mean, insipid, or savage, and always mute with an air of whispering, Personification: Giving humanlike features to the coast. ‘Come and find out. This one was almost featureless, as if still in the making, with an aspect of monotonous grimness. Suggesting that the coast invites us to uncover its secrets. The edge of a colossal jungle, so dark-green as to be almost black by using these two words is the author purposely trying to imply racial discrimination†¦.? , fringed with white surf, ran straight, like a ruled line, far, far away along a blue sea whose glitter was blurred by a creeping mist. The sun was fierce, the land seemed to glisten and drip with steam. Here and there grayish-whitish specks showed up clustered inside the white surf, with a flag flying above them perhaps. Whitish specks† symbolize the white settlements. Settlements some centuries old, and still no bigger than pinheads on the untouched expanse of their background. They looked so small in the huge jungle. We pounded along, stopped, landed Parallelism soldiers; went on, landed Parallelism custom-house clerks to levy toll in what looked like a God-forsaken wilderness, with a tin shed and a flag-pole lost in it; landed Parallelism more soldiers — to take care of the custom-house clerks, presumably. Some, I heard, got drowned in the surf; but whether they did or not, nobody seemed particularly to care.They were just flung out there, and on we went. Every day the coast looked the same, as though we had not moved; but we passed various pl aces — trading places — with names like Gran' Bassam, Little Popo; names that seemed to belong to some sordid farce acted in front of a sinister back-cloth. The idleness of a passenger, my isolation amongst all these men with whom I had no point of contact, the oily and languid sea, the uniform somberness of the coast, Using descriptive language to describe the calm motionless sea†¦ seemed to keep me away from the truth of things, within the toil of a mournful and senseless delusion.The voice of the surf heard now and then was a positive pleasure, like the speech of a brother. The sound of the waves was a calm sound for him and he compares it to the voice of a brother using a simile. It was something natural that had its reason that had a meaning. Now and then a boat from the shore gave one a momentary contact with reality. Sometimes the boat on the shore reminded him of reality†¦this quote touches the theme of the story, It was paddled by black fellows. â₠¬Å"Black fellows† Discriminatory language-(You could see from afar the white of their eyeballs glistening.They shouted, sang; their bodies streamed with perspiration; they had faces like grotesque masks Is this a caricature, its describing the features of the â€Å"blacks† as a grotesque mask which to me sounds exaggerated and inaccurate. How can you say that about someone? Isn’t that a bit condescending, comparing their faces to an ugly mask (simile) these chaps; but they had bone, muscle, a wild vitality, an intense energy of movement, descriptive language describing their sharp features. that was as natural and true as the surf along their coast.They wanted no excuse for being there. They were a great comfort to look at. For a time I would feel I belonged still to a world of straightforward facts. What are the straight forward facts and who defines them? ; But the feeling would not last long. Something would turn up to scare it away. Once, I remember, we came upon a man-of-war anchored off the coast. There wasn't even a shed there, and she was shelling the bush. It appears the French had one of their wars going on thereabouts.Her ensign dropped limp like a rag; the muzzles of the long six-inch guns stuck out all over the low hull; the greasy, slimy swell swung her up lazily and let her down, swaying her thin masts. In the empty immensity of earth, sky, and water, there she was, incomprehensible, firing into a continent. Onomatopoeia(Pop, would go one of the six-inch guns; a small flame would dart and vanish, a little white smoke would disappear, a tiny projectile would give a feeble screech — and nothing happened. Nothing could happen.There was a touch of insanity in the proceeding ‘Touch of Insanity† is no t the lateral meaning of the word, in this case it can be used as a figure of speech, a sense of lugubrious drollery in the sight; and it was not dissipated by somebody on board assuring me earnestly there was a cam p of natives — he called them enemies! — hidden out of sight somewhere. Passage 2: We penetrated deeper and deeper into the heart of darkness. It has a literal and figurative meaning. Literal in that the river shrunk as they continued on with their journey and opened up from the front.It’s figurative in that the heart of darkness symbolizes the things unknown and the things which represent or hold a larger importance. It was very quiet there. At night sometimes the roll of drums behind the curtain of trees would run up the river and remain sustained faintly, as if hovering in the air high over our heads, till the first break of day. Whether it meant war, peace, or prayer we could not tell. †¦ We were wanderers on prehistoric earth, on an earth that wore the aspect of an unknown planet.They had gone so far off, that they went able to recognize anything and thus they felt like they were born again as they went further down into the heart of darkness. We could have fancied ourselves the first of men taking possession of an accursed inheritance, to be subdued at the cost of profound anguish and of excessive toil. But suddenly, as we struggled round a bend, there would be a glimpse of rush walls, of peaked grass hoofs, a burst of yells, a whirl of black limbs, a mass of hands clapping, of feet stamping, of bodies swaying, of eyes rolling, Parallelism(‘†¦of†¦Ã¢â‚¬â„¢) under the droop of heavy and motionless foliage. .. The prehistoric man was cursing us, praying to us, welcoming us-who Parallelism (‘†¦was’) could tell. Who is to judge whether they were welcoming them or abusing them. This passage shows uncertainty in that nothing seems understandable. ? We were cut off from the comprehension of our surroundings; we glided past like phantoms, Simile in that as the glided past no one noticed them and like a ghost it almost wasn’t real. Nothing seemed real, and their presence was insignificant. They wer e invisible. ondering and secretly appalled, as sane men would be before an enthusiastic outbreak in a madhouse. Analogy: As they tried to discover the unknown just like men from a mad house released and waiting to get out and notice everything. could not understand because we were too far and could not remember, because we were traveling in the night of first ages, of those ages that are gone, leaving hardly a sign-and no memories. The earth seemed unearthly. Paradox We are accustomed to 1ook upon the shackled form of a conquered monster, but there – there you could look at a thing monstrous and free.It was unearthly, and the men were–No, they were not inhuman. Well, you know, that was the worst of it-this suspicion of their not being inhuman. I would come slowly to one. They howled and leaped, and spun, and made horrid faces; but what thrilled you was just the thought of their humanity-like yours-the thought of your remote kinship with this wild and passionate uproar . Ugly. Yes, it was ugly enough; They were horrified and unable to recognize there surroundings. They felt like they had been born again into a world waiting to be re discovered. ut if you were man enough you would admit to yourself that there was in you just the faintest trace of a response to the terrible frankness of that noise, a dim suspicion of there being a meaning in it which you -you so remote from tile night of the first ages–could comprehend. And why not? The mind of man is capable of anything-because everything is in it, all the past as well as the future. What was there after all? Joy, fear, sorrow, devotion, valor, rage-who can tell? -but truth-truth stripped of its cloak of time. Let the fool gape and shudder-the man knows, and can look on without a wink.But he must at least be as much of a man as these on the shore. He must meet that truth with his own true stuff-with his inborn strength. They were searching for the truth†¦but what was really the ‘t ruth’? Principles won't do. Acquisitions, clothes, pretty rags–rags that would fly off at the first good shake. No; you want a deliberate belief. An appeal to me in this fiendish row-is there? Very well; I hear; I admit, but I have a voice, Parallelism (‘†¦I†¦ ’) too, and for good or evil mine is the speech that cannot be silenced. Of course, a fool, what with sheer fright and fine sentiments, is always safe.

Christian Music and Chris Tomlin

I would gather to say that when asked if they would rather listen to Christian or non-Christian music that the general population would choose the latter. Christian music is looked upon as having a dry and bland type of style, one that lulls you to sleep rather than the adrenaline pumping and soul shaking music that you get from most alternative bands. A problem that Christian music artists seem to have is trying to gather popularity for their product. Unlike the MTV bands, where sex sells, the Christian band keeps close to its values of clean wholesome music that glorifies God. Unfortunately the general population hardly shares these same views, and attendance for concerts and record sells are always down. Up until a few days ago I was under the category of non-Christian music over Christian, and was like everyone else thinking that no way could Christian artists stand up to those who were not. I have since seen that these thoughts could not have been farther from the truth. Artists like Chris Tomlin and his band not only bring to you the rhythm, beat, and noise that has come to be generally expected at rock concerts, but his type of â€Å"soul shaking† goes much deeper than others and keeps you in tuned with the Lord the entire time. So this brings about the questions, â€Å"What type of style do artists like Chris Tomlin bring to their concerts that intensifies the general perception of Christian music? † â€Å"Where does Christian concerts have benefits over non-Christian? † I was lucky enough to attend a Christ Tomlin concert this past weekend. Needless to say the experience blew me away along with my perception of Christian music. The atmosphere was just incredible the entire time I was there; such a sense of unity and friendship for one common goal seemed to permeate the room. The concert itself took place in the Nokia Center in Los Colinas, Texas, and there was not any empty seat in the room. Everyone there was with a common goal, to praise Jesus with song, and strengthen his or her relationship with Jesus. One thing I found interesting about this concert was that Chris included a guest speaker. This is something you will definitely not see at any other concert. Louie Giglio was the speaker's name, and after and hour of singing he provided a nice change of gears with a powerful message talking about how big God is and how small we are along with our problems. Using the songs just sang, he pounded in a teaching that brought about a whole new meaning to those lyrics. There was a silence that filled that room unlike any I had ever heard before. People were sitting concentrating on the message that had just been delivered to them and trying to understand its meaning and how it applied to their life. You would never hear any type of silence at a non-Christian concert, or be privileged to listen to a guest speaker. Most of the time it's seeing how much beer you can drink, or weed you can smoke and maybe listening to some music every now and then. Never is your attention focused solely on the stage following every word spoken or sung. Even with a room full of people the atmosphere at a Christian concert allows you in your mind to be by yourself with God. The quality of the music and sound was comparable to any rock concert that I had been to, helping erase my prejudice towards non-Christian music immediately. Chris had a tremendous voice, accompanied with his guitar and piano playing he was nothing short of astounding. He had a good group of guys playing alongside with him, all very inept in what they played. If the lyrics hadn't been praising Jesus you would have thought you had bought tickets to see Green Day. If the singing and instrument play wasn't enough, Chris did a great job of keeping the audience into it. He would have the entire crowd do certain things such as flip open their cell phones and hold them up while swaying back and forth. 10,000 people's cell phone lights were swaying back and forth creating and awesome spectacle and a sense of bonding time with God and each other. While singing was going on, pictures would be flashed up on the screen showing nature's beauty and Jesus on the cross. This reminded people of God's creation and the sacrifice that Jesus suffered for us. The clapping almost never stopped as people started to really get into the concert. Others were moving down to the front of the stage and were jumping up and down with the rhythm of the song. Not just teenagers, I'm talking about full grown men and women some in their mid-thirties to forties, jumping and yelling like it was some mosh pit at Ozfest. Instead of screaming profanities though these people were praising God. This type of celebration seemed to carry on for another hour or so, just singing and dancing, all for the glory of God. You could tell then that things were starting to wind down as Chris played a couple slow songs in succession, and people started moving back to their seats. They ended with the song â€Å"Indescribable† and towards the end of the song the stage went completely black and you couldn't hear Chris sing any more only the crowd. When the song had finished the lights came back on and the band was gone. This gesture struck me the most. When do you ever see a band walk off without saying anything, or acknowledging the applause by the audience? It was because it was important to them. All the glory is given to God there. God is the one that makes that concert possible and they made sure that He was the one glorified, not them. I asked my friend that I had went with, if this was the best Christian concert he had been to. He responded with, â€Å"Best? They are all like this. † It is just not Chris Tomlin that runs his concert like that; many other Christian artists share these same views. Though others still claim that Christianity a cult and that its music is just promoting a singular view. Whatever the reason, Christianity must be applauded for the giant leaps it has taken in the music industry and the quality of its songs. Musicians like Chris Tomlin must continue to be a beacon as a quality performer and God-fearing man to those seeking success as Christian music artists.